"We've been climbing since I turned," said Andy, "up to 5,475 feet from 200 feet below sea level."
"More vegetated here too," I observed. "I think that should be a word. V*e*g*e*t*a*t*e*d--describing areas having an increased amount of vegetation."
Snow covered the road in spots where the morning sun had not yet penetrated. We stopped on the way down to be sure the white powder wasn't salt or borax. Bone-chilling wind whipped Dante's Point, probably in the low 40's with a 25 m.p.h. sustained force. Sheltered slopes were jacket-comfortable.
Andy held my hand and kept climbing. "Come on!" he insisted. "Just keep walking."
I moved forward in sheer terror, taking tiny steps and willing my feet along inch by inch.
"I didn't know it would be like that," he said an hour later.
At Artist's Palette, we painted photographs at every turn, like the only people on the face of the earth. The 2:30 p.m. sun etched shadows in canyon walls amidst clay hills of pink, green, mustard and rust.
For the second night the stars put on a visual display. In spite of light pollution from Las Vegas and a few yellow glows from Stovepipe Wells, we saw millions of tiny specks twinkling in the black sky, and right overhead the Milky Way splashed a white band from horizon to horizon as far as we could see. The star of our free sky show, Jupiter, dominated in brilliance as king of the night.
For the second night the stars put on a visual display. In spite of light pollution from Las Vegas and a few yellow glows from Stovepipe Wells, we saw millions of tiny specks twinkling in the black sky, and right overhead the Milky Way splashed a white band from horizon to horizon as far as we could see. The star of our free sky show, Jupiter, dominated in brilliance as king of the night.
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